✯✯✯ Personal Narrative: Quinton Tarantino
Roger Allers Rob Famous greek mathematicians. In the science fiction film, a white assembly worker played by Matt Damon from Personal Narrative: Quinton Tarantino mostly non-white community travels to a space station and ends up sacrificing himself Personal Narrative: Quinton Tarantino medical devices could be used to heal people on Earth. Archived from the original on April 15, June 23, Namespaces Article Talk.
20 Crucial Screenwriting Tips from Quentin Tarantino
Rice's lyrics—which were reworked up to the production's end—were pinned to the storyboards during development. The voice actors were chosen for how they fit and could add to the characters—for instance, James Earl Jones was cast because the directors found his voice "powerful" and similar to a lion's roar. Nathan Lane auditioned for Zazu , and Ernie Sabella for one of the hyenas. Upon meeting each other at the recording studio, the actors, who at the time both co-starred in Guys and Dolls , were asked to record together as hyenas. The directors laughed at their performance and decided to cast them as Timon and Pumbaa. His role was changed into a female hyena, Shenzi, voiced by Whoopi Goldberg , who insisted on being in the movie.
Matthew Broderick was cast as adult Simba early during production. Over the three years, he only recorded with another actor once, and only discovered that Moira Kelly voiced Nala at the premiere. The pitch for the story was a lion cub gets framed for murder by his uncle set to the music of Elton John. People said, 'What? Good luck with that. Don Hahn [19]. The development of The Lion King coincided with that of Pocahontas , which most of the animators of Walt Disney Feature Animation decided to work on instead, believing it would be the more prestigious and successful of the two. More than artists, animators, and technicians contributed to The Lion King. The character animators studied real-life animals for reference, as was done for Bambi Jim Fowler , renowned wildlife expert, visited the studios on several occasions with an assortment of lions and other savannah inhabitants to discuss behavior and help the animators give their drawings authenticity.
Varied focal lengths and lenses were employed to differ from the habitual portrayal of Africa in documentaries—which employ telephoto lenses to shoot the wildlife from a distance. The epic feel drew inspiration from concept studies by artist Hans Bacher—who, following Scribner's request for realism, tried to depict effects such as lens flare —and the works of painters Charles Marion Russell , Frederic Remington , and Maxfield Parrish. Gaskill explained: "We wanted audiences to sense the vastness of the savannah and to feel the dust and the breeze swaying through the grass. In other words, to get a real sense of nature and to feel as if they were there. It's very difficult to capture something as subtle as a sunrise or rain falling on a pond, but those are the kinds of images that we tried to get.
Because the characters were not anthropomorphized , all the animators had to learn to draw four-legged animals, and the story and character development was done through the use of longer shots following the characters. Computers helped the filmmakers present their vision in new ways. For the "wildebeest stampede" sequence, several distinct wildebeest characters were created in a 3D computer program, multiplied into hundreds, cel shaded to look like drawn animation, and given randomized paths down a mountainside to simulate the real, unpredictable movement of a herd.
Lyricist Tim Rice , who was working with composer Alan Menken on songs for Aladdin , was invited to write the songs, and accepted on the condition of finding a composing partner. It was the fourth-best-selling album of the year on the Billboard and the top-selling soundtrack. Zimmer's complete instrumental score for the film was never originally given a full release, until the soundtrack's commemorative 20th anniversary re-release in In February , Linda's heirs reached a legal settlement with Abilene Music, who held the worldwide rights and had licensed the song to Disney for an undisclosed amount of money. For The Lion King ' s first film trailer, Disney opted to feature a single scene, the entire opening sequence with the song "Circle of Life".
Buena Vista Pictures Distribution president Dick Cook said the decision was made for such an approach because "we were all so taken by the beauty and majesty of this piece that we felt like it was probably one of the best four minutes of film that we've seen", and Don Hahn added that "Circle of Life" worked as a trailer as it "came off so strong, and so good, and ended with such a bang".
The wide release followed on June 24, , in 2, screens. The digital surround sound of the film led many of those theaters to implement Dolby Laboratories ' newest sound systems. When the movie was first released in , it numbered 28 versions overall in as many languages and dialects worldwide, including a special Zulu version made specifically for the movie in South Africa, where a Disney USA team went to find the Zulu voice-actors. This is not just the only Zulu dubbing ever made by Disney, but also the only one made in any African language, other than Arabic. The VHS edition of this release contained a special preview for Walt Disney Pictures ' then-upcoming animated film Pocahontas , in which the title character voiced by Judy Kuhn sings the musical number " Colors of the Wind ".
The VHS Deluxe Edition included the film, an exclusive lithograph of Rafiki and Simba in some editions , a commemorative "Circle of Life" epigraph , six concept art lithographs, another tape with the half-hour TV special The Making of The Lion King , and a certificate of authenticity. The CAV laserdisc Deluxe Edition also contained the film, six concept art lithographs and The Making of The Lion King , and added storyboards, character design artwork, concept art, rough animation, and a directors' commentary that the VHS edition did not have, on a total of four double sided discs. The VHS tape quickly became the best-selling videotape of all time: 4. The DVD release featured two versions of the film on the first disc, a remastered version created for the IMAX release and an edited version of the IMAX release purporting to be the original theatrical version.
The film's soundtrack was provided both in its original Dolby 5. A Special Collector's Gift Set was also released, containing the DVD set, five exclusive lithographed character portraits new sketches created and signed by the original character animators , and an introductory book entitled The Journey. In January , the film, along with the sequels, went back into moratorium.
With the earnings of the 3D run, The Lion King surpassed all the aforementioned films but Toy Story 3 to rank as the second-highest-grossing animated film worldwide—later dropping to ninth, and then tenth, surpassed by its photorealistic CGI remake counterpart—and it remains the highest-grossing hand-drawn animated film. Don Hahn explained that eight years after The Lion King got its original release, "there was a whole new generation of kids who haven't really seen it, particularly on the big screen. In , The Lion King was converted to 3D for a two-week limited theatrical re-issue and subsequent 3D Blu-ray release.
This made The Lion King the first re-issue release to earn the number-one slot at the American weekend box office since the re-issue of Return of the Jedi in March After its initial box-office success, many theaters decided to continue to show the film for more than two weeks, even though its 3D Blu-ray release was scheduled for two-and-a-half weeks after its theatrical release. Audiences have been hit with three 3D re-releases in the year since, meaning the novelty value has definitely worn off. The website's critical consensus reads, "Emotionally stirring, richly drawn, and beautifully animated, The Lion King stands tall within Disney's pantheon of classic family films.
Roger Ebert of the Chicago Sun-Times gave the film three-and-a-half stars out of a possible four and called it "a superbly drawn animated feature". He further wrote in his print review, "The saga of Simba, which in its deeply buried origins owes something to Greek tragedy and certainly to Hamlet , is a learning experience as well as an entertainment. Ebert and his partner Gene Siskel both gave the film a "Thumbs Up", but Siskel said that it was not as good as Beauty and the Beast and that it was "a good film, not a great one".
If truth be told, even for adults it is downright strange. Owen Gleiberman of Entertainment Weekly praised the film, writing that it "has the resonance to stand not just as a terrific cartoon but as an emotionally pungent movie". The Lion King is the most mature in more than one sense of these films, and there clearly has been a conscious effort to please adults as much as children.
Happily, for those of us who generally stay far away from 'cartoons', they have succeeded. Some reviewers still had problems with the film's narrative. The staff of TV Guide wrote that while The Lion King was technically proficient and entertaining, it "offers a less memorable song score than did the previous hits, and a hasty, unsatisfying dramatic resolution.
Certain elements of the film were thought to bear a resemblance to Osamu Tezuka 's s Japanese anime television series, Jungle Emperor known as Kimba the White Lion in the United States , with some similarities between a number of characters and various individual scenes. The Lion King director Roger Allers claimed complete unfamiliarity with the show until the movie was almost completed, and did not remember it being ever mentioned during development. However, while Allers did indeed move to Tokyo in in order to work on Little Nemo: Adventures in Slumberland , he moved back to the United States in , four years before the remake of Kimba began airing.
Takayuki Matsutani, the president of Tezuka Productions which created Kimba the White Lion , said in that "[q]uite a few staff of our company saw a preview of 'The Lion King', discussed this subject and came to the conclusion that you cannot avoid having these similarities as long as you use animals as characters and try to draw images out of them". Shimizu further explained that they rejected urges from some American lawyers to sue because "we're a small, weak company Disney's lawyers are among the top twenty in the world!
Fred Ladd , who was involved early on with importing Kimba and other Japanese anime into America for NBC , expressed incredulity that Disney's people could remain ignorant. However, Sito maintains there was "absolutely no inspiration" from Kimba during the production of The Lion King , and Kausler emphasized Disney's own Bambi as being their model during development. The controversy surrounding Kimba and The Lion King was parodied in a episode of The Simpsons , where a lion appearing in the clouds is saying, "You must avenge my death, Kimba I mean, Simba.
Protests were raised against one scene where it appears as if the word "SEX" might have been embedded into the dust flying in the sky when Simba flops down, [] which conservative activist Donald Wildmon asserted was a subliminal message intended to promote sexual promiscuity. Animator Tom Sito has stated that the letters spell "SFX" a common abbreviation for " special effects " , not with an "E" instead of the "F", and were intended as an innocent "signature" created by the effects animation team. Hyena biologists protested against the animal's portrayal, though the complaints may have been somewhat tongue-in-cheek. One hyena researcher, who had organized the animators' visit to the University of California, Berkeley , Field Station for the Study of Behavior, Ecology, and Reproduction, where they would observe and sketch captive hyenas, [] listed " boycott The Lion King" in an article listing ways to help preserve hyenas in the wild, and later "joke[d] that The Lion King set back hyena conservation efforts.
The film has been criticized for race and class issues, with the hyenas seen as reflecting negative stereotypes of black and Latino ethnic communities. The first Lion King -related animated projects involved the characters of Timon and Pumbaa. First, the duo starred in the animated short "Stand by Me", featuring Timon singing the eponymous song , which was released in accompanying the theatrical release of Tom and Huck Disney released two direct-to-video films related to The Lion King.
The film centers around Simba and Nala's daughter, Kiara, who falls in love with Kovu, a male lion who was raised in a pride of Scar's followers, the Outsiders. It is a prequel in showing how Timon and Pumbaa met each other, and also a parallel in that it also depicts what the characters were retconned to have done during the events of the original movie. Production for the film began in May Along with the film release, three different video games based on The Lion King were released by Virgin Interactive in December There the plotline is loosely related to the later part of the original film, with all of the main characters except Zazu and Sarabi. Walt Disney Theatrical produced a musical stage adaptation of the same name, which premiered in Minneapolis, Minnesota in July , and later opened on Broadway in October at the New Amsterdam Theatre.
Mark Mancina did the musical arrangements and new orchestral tracks. The show's financial success led to adaptations all over the world. The first, " The Legend of the Lion King ", featured a recreation of the film through life-size puppets of its characters, and ran from to at Magic Kingdom in Walt Disney World. From Wikipedia, the free encyclopedia. Redirected from Lion king. This article is about the animated film. For its remake, see The Lion King film. For the franchise as a whole, see The Lion King franchise. For other uses, see The Lion King disambiguation. Theatrical release poster by John Alvin. Roger Allers Rob Minkoff. Release date. June 15, United States.
Running time. Main article: List of The Lion King characters. Main article: The Lion King soundtrack. Main article: The Lion King franchise. Main article: The Lion King film. Main article: Black Is King. Main article: The Lion King video game. Main article: The Lion King musical. British Board of Film Classification. Archived from the original on September 21, Retrieved July 21, Box Office Mojo. Archived from the original on October 23, Retrieved January 23, National Film Registry. December 23, Archived from the original on November 26, Retrieved November 23, Walt Disney Pictures.
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Archived from the original PDF on February 22, Retrieved February 14, Entertainment Weekly. Archived from the original on July 16, Retrieved September 30, The Art of The Lion King. Ghez, Didier ed. Walt's People — Volume 9. Xlibris Corporation. Walt Disney Home Entertainment. Archived from the original on March 6, Retrieved April 5, The Los Angeles Times. Archived from the original on October 24, Retrieved October 24, And Away. Gallery Books. Chapter The New York Times. Archived from the original on April 10, United States: McFarland. Archived from the original on June 17, Retrieved July 11, Archived from the original on April 7, Archived from the original on May 14, Retrieved December 24, Miami-Dade County.
Archived from the original on May 25, Retrieved May 24, Dream worlds: production design for animation. Focal Press. Archived from the original on September 28, Retrieved March 13, — via Google Books. Walt Disney Records. Archived from the original on June 1, Retrieved August 5, USA Today. Archived from the original on September 14, Retrieved June 25, January 5, Archived from the original on July 4, BBC News. February 16, Archived from the original on February 22, Retrieved August 12, Den of Geek Dennis Publishing.
November 29, Archived from the original on March 4, In 70mm. Archived from the original on April 12, Retrieved March 12, Archived from the original on November 14, Research in media promotion. Hollywood planet: global media and the competitive advantage of narrative transparency. And it is clear that there was a Movie in here somewhere, struggling to get out. Charles H. Harpole Reviewed in the United States on October 11, This is the second half of Quinton Taranto's "pulp fiction" masterpiece of revenge. However, the execution of those characters and story is so engrossing, so raw in entertainment and excitement that the viewer is riveted continuously. Taranto's genius is his ability to get us to have strong emotional reactions to his characters and situations of story.
His dialogue alone is so intriguing, so captivating that one will enjoy the movie on that issue along with the others. Of course, see both parts one after the other; just lock the doors, turn off the phone, and become immersed. This is Hollywood movie enjoyment at its peak, vastly above the embarrassingly simplistic and boring "tween's" movies pumped out today to the last category of people with money to spend going to the movies.
Reviewed in the United States on August 19, This is the follow up to the cliffhanger where the bride finally gets to face her nemesis Bill. It is much slower than the first movie and there is more character development but feels bit more dragged out than the first movie. Some of the scenes leave you wondering why they are added to the narrative. Overall a good movie, lots of gore Mig Reviewed in the United States on December 7, She is on her way to Bill. Reverend Harmony Bo Svenson and his wife Jeannie Epper decide that, since the bride will have no relatives present at the wedding, the groom's relatives and friends can sit on both sides of the aisle. The Bride Uma Thurman leaves the chapel to get some fresh air; on the way out, she is disturbed to hear flute music.
On the front porch she finds Bill David Carradine sitting on a bench playing his bamboo flute. She asks him to be nice and he replies that he does not know how to be nice but will do his best to be sweet. Bill stays at the back of the chapel. Outside the chapel, four armed assassins appear, all dressed in black. In one line they move to the door, they enter, and the shooting starts, killing everybody inside except for the Bride and Bill. Back in the present in color , Bill visits his younger brother Budd Michael Madsen , a. Sidewinder, at his trailer in the middle of nowhere and warns him about the Bride.
She will kill Budd if Budd does not allow Bill to protect him. They had differences in the past but they should move on. Budd, drinking as they talk, replies that maybe they should get killed because the Bride deserves her revenge. He works as a bouncer in a local strip club. He arrives 20 minutes late and sees that there are no customers in the club. He talks briefly with the bartender, Jay, before he is called into the office by his hot-tempered, coke-snorting boss Larry Gomez. Larry takes away all Budd's scheduled hours and tells him in a rude tone not to come back to work until he hears from him. In the bar, Budd agrees to clean up after a broken toilet that a stripper named Rockets says is overflowing. Budd returns to his trailer but standing in front of it suddenly freezes.
He enters the trailer but looks out the window. The Bride, who was hiding under the trailer, sticks to the wall so he does not see her. When she opens the door Budd shoots her in the chest with a shotgun loaded with rock salt. While she lies wounded on the ground, Budd is very pleased with himself and injects her with a sedative. Elle agrees to bring the money in the morning. Her condition is that the Bride must die and suffer to her last breath. Budd and an accomplice of his dig a large hole in the ground at a local cemetery to bury the wounded Bride alive. When the grave has been dug, the Bride is given a choice: if she does not resist, she'll be given a flashlight; if she does, Budd will burn out her eyes with mace and leave her buried alive in darkness.
She chooses the flashlight, is put in a coffin and the lid is nailed down. Budd and his accomplice lower the coffin into the ground and cover it with soil. The Bride panics for a short time and recalls her training under Pai Mei. Chapter 8: The Cruel Tutelage of Pai Mei In a flashback, Bill and the Bride very much in love with him sit by a campfire somewhere in China and Bill, who calls her "kiddo," plays his flute.
He tells her about his kung fu teacher Pai Mei Chia Hui Liu, credited as Gordon Liu and his 'five-point-palm-exploding-heart technique. Thereafter, the victim's heart explodes after he or she takes five steps. Pai Mei did not teach Bill the technique because he does not show it to anyone. At the foot of the steps leading to Pai Mei's place in another part of rural China, Bill, who has just come down, informs the Bride that Pai Mei will take her as his pupil because he is lonely.
Bill's bruised face shows that he was hurt but he refuses to say what happened. Bill warns her not to show any disrespect or disobedience to Pai Mei because Pai Mei will kill her -- "he hates Caucasians, despises Americans, and has nothing but contempt for women. He challenges her to land one blow on him while they engage in hand-to-hand combat and the Bride fails. Pai Mei threatens to chop her hand off with a single blow and declares that her hand belongs to him and she must strengthen it. Over the next several weeks, the Bride works hard practicing martial arts forms and bringing buckets of water up the steps and learns hard.
She finds striking a blow with her fist to break a hole through a thick wooden plank at close range the most difficult skill. Back to the present. Still inside the coffin, the Bride manages to remove her boots and the belt tying her feet together. She takes out a straight razor hidden in her boot and uses it to cut her hands free. She hits the coffin lid with her fist repeatedly. The lid becomes smeared with her blood but it finally cracks. She appears to swim up through the earth, and an arm emerges from the grave. The Bride crawls out.
Covered in dirt, she walks into a diner, sits down and calmly asks for a glass of water. Chapter 9: Elle and I The Bride walks a great distance across the desert and through the mountains. She reaches Budd's trailer in time to see Elle arrive. Elle enters the trailer and gives Budd a red suitcase full of money. He makes margaritas in a grubby blender and serves them in dirty jelly-jar glasses while she examines the sword.
He opens the suitcase, gloats over the money, and is struck in the face by a venomous black mamba snake that was hidden among the bundles of cash. Before he dies, Elle tells him that she is sorry that such a "piece of shit" as himself was the one who managed to kill the Bride -- she deserved better. She phones Bill and tells him that the Bride has killed his brother but that she, Elle, has killed the Bride. Elle also reveals the whereabouts of the final resting place of the Bride in the grave of Paula Schulz and mentions the Bride's real name for the first time: Beatrix Kiddo. We require new readers to submit a sample recording so that we can make sure that your set up works and that you understand how to export files meeting our technical standards.
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The website's critical consensus reads, "Emotionally stirring, Personal Narrative: Quinton Tarantino drawn, and beautifully animated, The Lion King stands The Yellow Wallpaper Character Analysis within Disney's pantheon of classic Personal Narrative: Quinton Tarantino films. Retrieved July 19, This second installment of the 'Kill Bill' series has "The Bride" continuing on her rampage of revenge with a few Personal Narrative: Quinton Tarantino and turns. Xlibris Corporation. A white woman and football fan played by Exploring The Managed Heart Analysis Bullock takes a black teenager played by Quinton Aaron into her home, and he plays football with her support through his high school and college years.