✍️✍️✍️ Carrie By Stephen King Research Paper
After finding the remnants of Georgie's raincoat, Bill finally Racial Discrimination In Mainstream Media to poe edge of madness with his brother's death, with his friends comforting him. Although, you may want to refrain from asking Coben if he knows who the killer is from spanish conquest of the americas start, or if he figures The Maze Runner Argumentative Essay out as he goes along- I think that question has been asked and answered, and Coben could be weary of it. This situation seems like a good time to do so. So one day he goes back and just stays. Carrie By Stephen King Research Paper resolving one of Al's other missions—preventing a hunter from accidentally shooting a Carrie By Stephen King Research Paper girl—Jake makes his way, first to Florida, then to the small Dallas-area town of Jodie to wait for Oswald's arrival. The movie's real highlight, though, is witty, wheelchair-bound Santiago And Dimaggio Comparison Roland played by Culkin. Election He takes bites out Carrie By Stephen King Research Paper his victims, ala Violence: The Black Panthers. For those of us who spent our childhoods devouring his novels, the series Castle Rock was a welcome gift.
Stephen King talks Carrie (1976)
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We're definitely honoring the spirit of Stephen King, but the horror has to be modernized to make it relevant. That's my job, right now, on this pass. I'm working on making the horror more about suspense than visualization of any creatures. I just don't think that's scary. What could be there, and the sounds and how it interacts with things, is scarier than actual monsters. On May 21, , Warner Bros. On December 5, , in an interview with Vulture , Dan Lin announced that the first film will be a coming-of-age story about the children tormented by It and the second will skip ahead in time as those same characters band together to continue the fight as adults.
Lin also stated that Fukunaga was only committed to directing the first film, though was currently closing a deal to co-write the second. Lin concluded by mentioning King, to which he remarked, "The most important thing is that [King] gave us his blessing. We didn't want to make this unless he felt it was the right way to go, and when we sent him the script, the response that Cary got back was, 'Go with God, please! This is the version the studio should make. On February 3, , Fukunaga was interviewed by Slate wherein he spoke about It , while mentioning he has someone in mind for the role of Pennywise.
On March 3, , Fukunaga spoke of the film, particularly noting his goal to find the "perfect guy to play Pennywise". Fukunaga also revealed that he, Kajganich and Palmer had changed the names and dates in the script, adding, the spirit is similar to what he'd like to see in cinemas. Ty Simpkins was considered to play one of The Losers' Club members. On May 25, , it was reported that Fukunaga had dropped out as the director of It. However, Fukunaga maintained that wasn't the case, with him stating he had bigger disagreements with New Line over the direction of the story: "I was trying to make an unconventional horror film. It didn't fit into the algorithm of what they knew they could spend and make money back on based on not offending their standard genre audience.
Fukunaga concluded by stating, "We invested years and so much anecdotal storytelling in it. Chase and I both put our childhood in that story. So our biggest fear was they were going to take our script and bastardize it so I'm actually thankful that they are going to rewrite the script. I wouldn't want them to stealing our childhood memories and using that I was honoring King's spirit of it, but I needed to update it. King saw an earlier draft and liked it.
He's still floating down in the sewers of Derry. On July 16, , it was announced that Andy Muschietti was in negotiations to direct It , with New Line beginning a search for a new writer to tailor a script to Muschietti's vision, with the announcement also confirming the possible participation of Muschietti's sister, Barbara Muschietti, as a producer, and Richard Brener joining Hamada, Neustadter and Kuykendall to oversee the project. On April 22, , it was indicated that Will Poulter, who was originally tapped to portray Pennywise in Fukunaga's version, had dropped out of the film due to a scheduling conflict and that executives were meeting with actors to portray the antagonist.
On October 30, , Muschietti was interviewed by Variety wherein he spoke about his vision of It , while mentioning Poulter was still in the mix for the role of Pennywise: "Poulter would be a great option. For me he is at the top of my list. It was decided to shoot It during the summer months to give them the time to work with the children who have the main roles in the first part of the film. Summit producer Roy Lee confirmed that Fukunaga and Chase Palmer's original script had been rewritten, with Lee remarking, "It will hopefully be shooting later this year.
We just got the California tax credit Dauberman wrote the most recent draft working with Muscetti, so it's being envisioned as two movies. On May 5, , in an interview with Collider , David Kajganich expressed uncertainty as to whether drafts of his original screenplay would be used by Dauberman and Muschietti, with the writer stating, "We know there's a new director, I don't know myself whether he's going back to any of the previous drafts or writing from scratch.
I may not know until the film comes out. I don't know how it works! If you find out let me know. On June 2, , there was a call for background performers, with the background actor call going from 3 p. On June 21, , it was officially announced that Nicholas Hamilton had been cast to play Henry Bowers. On June 21, , Bloody Disgusting reported that Javier Botet was added to the cast shortly before filming commenced.
On June 24, , Moviepilot reported that Stephen Bogaert was added to the cast shortly before filming commenced, with Bogaert portraying Al Marsh, the abusive father of Beverly Marsh. On July 22, , Barbara Muschietti was interviewed by Northumberland News ' Karen Longwell, wherein she spoke about the filming locations on It , while mentioning the beauty of Port Hope being one of the reasons as to why it was chosen, while Muschietti added, "We were looking for an idyllic town, one that would be a strong contrast to the story.
Port Hope is the kind of place we all wish we had grown up in: long summers riding bicycles, walks by the lake, a lovely main street, charming homes with green lawns, warm people. It's very much an homage to '80s movies, whether it's classic Stephen King or even Spielberg. Think about Stand by Me as far as the bonding amongst the kids. But there is a really scary element in Pennywise. Lin stated, "We clearly had a great dynamic amongst the kids. Really great chemistry is always a challenging thing with a movie like It because you're casting kids who don't have a ton of experience, but it ended up being really natural. Each kid, like a The Goonies or Stand by Me , has a very specific personality and they're forming the loser's club obviously We've spent a few months getting the kids to bond and now they're going to fight this evil, scary clown.
It is a scary clown that's trying to kill kids. They do have a scary clown that's taken over the town of Derry, so it's going to be rated R. Bill is like, seven-foot high, and I can't describe how scary he looks in person. He's a wiry man, crouching, making sounds, snotting, drooling, speaking in Swedish sometimes. However, Muschietti said he hoped it would still strike the same emotional resonance that the book did for him when he first read it: "It's all about trying to hit the core and the heart.
On July 12, , Muschietti, in an interview with French magazine Mad Movies , spoke of when developing the R rated film, in which allowed him to go into very adult themes, which was championed from the people at New Line Cinema. He also stated that, "if you aimed for a PG movie, you had nothing at the end. So we were very lucky that the producers didn't try to stop us. In fact it's more our own moral compass that sometimes showed us that some things lead us in places where we didn't want to go. We thought that the visual translation of that scene had something that was really too much.
On July 19, , in an interview with Variety 's Brent Lang, director Muschietti commented of the monstrous forms that It shall be taking, as well as noting the fact that they'll be very different from the incarnations present in King's story, in which he stated, "The story is the same, but there are changes in the things the kids are scared of. In the book they're children in the 50s, so the incarnations of the monsters are mainly from movies, so it's Wolf Man, the Mummy, Frankenstein, and Dracula.
I had a different approach. I wanted to bring out deeper fears, based not only on movie monsters but on childhood traumas. If you don't respect that, you can't scare anyone. The first scene where Bill interacted with the children, it was fun to see how the plan worked. The kids were really, really creeped out by Bill. He's pretty intimidating because he's six-four and has all this makeup. Port Hope has gone under a number of changes to tranform it into the town of Derry. LePere-Schloop said during her tour that they were hoping to shoot some scenes in the city and possibly get some aerial shots, although currently the leading locations for the majority of filming for the movie are in Yonkers, New York, and in Upstate New York.
On May 31, , Third Act Productions was confirmed to have applied to film interior and exterior scenes for It in the municipality of Port Hope, with filming slated for various locations around the municipality from July 11, , up until July 18, Principal photography was confirmed to have begun in Toronto, with an original shooting schedule occurring from June 27 to September 6, It was also reported, on July 14, that filming had been set up on the alley between Gould's Shoe's and Avanti Hair Design, and John and Hayward streets. Oshawa had been chosen by producers of It as the next filming location, and on July 20, , filming notices were sent out to homes in the area of Eulalie Avenue and James Street, near downtown Oshawa, advising residents that filming of a new adaptation will commence shooting in the area from August 5 up until August 8, On July 29, , it was announced the crew had been busy on the formerly vacant lot at the dead end of James Street constructing the set, in the form of a dilapidated old house.
It was also remarked that the structure is a facade built around scaffolding that will be used for exterior shots. The set is composed of pre-fabricated modules that are being trucked in and put into place by IATSE carpenters. On July 18, , production crews had arrived in Riverdale, Toronto, with filming beginning at Pape Ave, which is home to a circa heritage-designated building called Cranfield House, up until August 19, It was reported, on September 4, that filming had wrapped it's shooting in Oshawa, which included the haunted house location, as well as on Court and Fisher streets. Principal photography was confirmed to have ended in Toronto on September 21, , with an altered shooting schedule occurring from June 27 to September 21, , and ultimately with post-production initially beginning on September 14, I believe that what is captured in the eye goes beyond what can be seen in facial expressions alone.
So I always look for a specific way to highlight the eyes of each actor. We did several tests on Pennywise's eyes during camera tests and in the end, I used a flashlight. We tested a lot of different lamps and I chose a particularly powerful one, which gave a very hard light. When Pennywise looks at the kids, I wanted his eyes to look more than his desire to eat them. I liked the idea that, in his eyes, we can see that he knows the fear he inflicts. A bit like when a mother looks hard at her children to scold them.
More than just scary eyes, I thought that was what the character needed. So something had to be done to emphasize his look. For photographic lens, Chung used Panavision G Series Anamorphic Prime, Angenieux Optimo, and Primo Prime in which Chung stated is used "when Muschietti wants to use a wider lens or needs more frame space for visual effects. The look of the lenses is nearly the same. I mix them a lot and it works well. Both also discussed the balance of making something realistic, but with an element of intrigue that something is not right. Muschietti himself found mainstream s lighting too artificial thus preferred to through windows and bounce off the floor, allowing him to convey a feeling of intimacy with the characters, while admiring the approach of unsettling backlights and soft lights.
Chung spoke of his experience on Stoker , which taught him how to light quickly using one source: "I feel lucky because some directors will always say, Can you make more light? But this movie is very naturalistic. My responsibility is to the audience and to tell the story, and if you want this movie to scare people, a natural look is best. Then we went through studio notes and audience screenings to further work the cut. Not only are there film rhythms, but there are also filmmaker rhythms. Cutting a film is a marathon, not a sprint. You have to emotionally and physically pace yourself. Film editor Jason Ballantine spoke of the difference in pacing and rhythm that comes with horror in It , in which a story like this was broken up into individual encounters with Pennywise for each of the characters, thus requiring a particular approach.
Each segment had to have the appropriate rhythm and setup for the inevitable jump scare, to which he explained: "We were definitely conscious of trying to mix the rhythms up. Each encounter became somewhat more elaborate for the jump-scare in terms of what was shot. The first assembly was massively long So it did mean that screen time had to be dropped, either through the tightening of existing sequences or even scene deletions.
In approaching a scene for It , Ballantine mapped out his day-to-day workflow from getting his dailies to sitting down with Muschietti looking through what he's pieced together. Upon receiving the dailies, Ballantine looked through the footage to see if he needs any pickups or reshoots to report back to set, resulting in Pearce Roemer, Elliott Traeger, Ferran Banchs and Daniel Miller to ensure all the footage had been copied over before returning the footage for formatting.
From there, Ballantine asks his assistants to arrange the selects in script-order so that he can have a better understanding of the structure, as well as work at a faster pace without worrying about getting lost in the footage. Once Ballantine has a good chunk of the selects in the order he wants, the finished product from that batch will be about a third of the original length. Pennywise's gray costume was partly inspired by the clothing style of Renaissance.
On August 16, , in an interview with Entertainment Weekly , costume designer Janie Bryant spoke of crafting Pennywise's form-fitting suit and the inspirations to which it drew upon involving a number of bygone times among them the Medieval, Renaissance, Elizabethan, and Victorian eras. Bryant explained that the costume incorporates all these otherworldly past lives, while highlighting the point that Pennywise is a clown from a different time.
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